I think I just fell in love. Honestly, Mara Hoffman has blown me away with her Spring/Summer 2012 collection. The show as a whole was a spectacle to the eye, and of course the most intimate of all shows that I have covered. With the perspective audience consumed by a gloom of darkness, the Hoffman’s collection demanded attention and attention it received. Mara Hoffman’s collection is everything you can ask for if requesting the feel of “eccentric”. I will now refer to Hoffman’s show as an exhibition, because the structure and content of her show was truly a “work of art”.
First off, the most notable feature of Hoffman’s exhibition was the intricate use of Aztec print, which recently, has made resurgence in the fashion world. The collection refrains from the trivial use of the print, but you can actually view the intellect, and placement Hoffman applies to the pieces she selects, ranging from a beautiful tunic to exquisite evening gown. You can clearly see the concept of Hoffman’s design, which makes the collection truly original. Native to the Aztec print design are clearly organized shapes and patterns, the collection stays true to this principle, but finds a way to incorporate the artistry of Mara Hoffman. Hoffman’s ability to use a current trend, and incorporate said trend into her vision of next year’s design, is truly amazing. One of my favorite pieces has to be the sheer gown, with the neon green print, which flows beautifully through the front of the piece. This piece stood out the most, maybe because of it’s color contrast, and use of print, which did not confuse the eye, but directs it.
Although the pieces could have stood alone, why do so if you have the resources to complete the ensemble. Along with beautiful beaded necklaces, the models also beautifully donned “fabric braids”. What is this you ask, well the stylist team (Tigi) of Mara Hoffman’s show thought of an innovative way, to incorporate the pieces of clothing not only on the body, but also in the hair. Tigi’s creative director Nick Irwin, used pieces of the clothing modeled to create the beautiful braids infused with the Aztec print, of the collection. I am more than astonished at the amount of creativity, and intelligence it took to pull off this show, it was definitely an exhibition to see! Valentine’s Day is next year, but I think Hoffman will be receiving a gift from a certain someone (me).
Anthony Thomas is the Creative Director for WeBleedFlashion a men’s sartorial line aimed in motivating the African American youth of Bedford-Stuyvesant, Brooklyn NY and future generations.
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